\version "2.10.0"
\header {
 title = "Auld Lang Syne"
 piece = "Adapted by Robert Burns"
 composer = "Traditional Scottish folk song"
  tagline = "In _Sacred Harp_, first note is a half note."

}

#(set-default-paper-size "legal" 'landscape)

stanzaOne = \lyricmode {
  \set stanza = "1."


Should auld ac -- quain -- tance be for -- got,
And nev -- er brought to mind?

Should auld ac -- quain -- tance be for -- got,
And days of auld lang syne?

For auld lang syne, my dear,
For auld lang syne, 
We'll tak' a cup o' kind -- ness yet,
For auld lang syne.



}


stanzaTwo = \lyricmode {
  \set stanza = "2."

We twa ha'e ran a -- boot the braes
And pu'd the go -- wans fine,
We've wan -- dered many a wear -- y foot
Sin auld _ lang _ syne.

For auld lang syne, my dear,
For auld lang syne, 
We'll tak' a cup o' kind -- ness yet,
For auld lang syne.

}



stanzaThree = \lyricmode {
  \set stanza = "3."

And here's a hand my trust -- y frien',
And gie's a hand o' thine,
We'll tak' a cup o' kind -- ness yet
For auld _ lang _ syne.

For auld lang syne, my dear,
For auld lang syne, 
We'll tak' a cup o' kind -- ness yet,
For auld lang syne.

}



stanzaFour = \lyricmode {
  \set stanza = "4."

And sure -- ly you'll be your pint stoup,
And sure -- ly I'll be mine;
"And we'll" take a drop of kind ness yet,
For auld _ lang _ syne.

For auld lang syne, my dear,
For auld lang syne, 
We'll tak' a cup o' kind -- ness yet,
For auld lang syne.

}


sopranoMusic = {
 \sacredHarpHeads
  \set shapeNoteStyles = ##(fa #f la fa #f la mi)
   \clef treble
   \key f \major
   \autoBeamOff
	\numericTimeSignature
   \time 4/4

\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
	\relative c' {
	\partial 4


	f4 | a4. a8 a4 d4 | c4. c8 c4 c4 |

	f4. f8 c4 c4 | a2. bes4 | 

	g4. f8 f4 a4 | c4. c8 c4 d4 |

	bes4. c8 a4 g4 | f2. 




	bes4 | g4.( f8) f4( a4) | c4. c8 c4 d4 | f4.( c8) c2 |

	a2. bes4 | g4. f8 f4 a4 | c4. c8 c4 d4 |

	bes4.( c8) a4( g4) | f2.


}
}

altoMusic = {
 \sacredHarpHeads
  \set shapeNoteStyles = ##(fa #f la fa #f la mi)
   \clef treble
   \key f \major
   \autoBeamOff
	\numericTimeSignature
   \time 4/4
	\relative f' {
	\partial 4

	c4 | c4. c8 c4 f4 | e4. c8 e4 f4 | 

	c4. c8 f4 f4 | f2. <f bes>4 | 

	a4. f8 f4 c4 | e4. f8 e4 f4 |

	f4. d8 f4 g4 | a2. 



	bes4 | c4.( a8) a4( f4) | 

	e4. f8 e4 bes'4 | a4.( f8) f2 | f2. bes4 |

	a4. f8 f4 f4 | e4. f8 e4 f4 | 

	f4.( d8) f4( g4) | a2. 

	


}
}


tenorMusic = {
 \sacredHarpHeads
  \set shapeNoteStyles = ##(fa #f la fa #f la mi)
   \clef treble
   \key f \major
   \autoBeamOff
	\numericTimeSignature
   \time 4/4
	\relative c' {
	\partial 4

	c4 | f4. f8 f4 a | g4. f8 g4 a4 |

	f4. f8 a4 c | d2. d4 |


\break
	
	c4. a8 a4 f4 | g4. f8 g4 a4 | 

	f4. d8 d4 c4 | f2. d'4 |


\break

	c4.( a8) a4( f) | g4. f8 g4 d'4 |

	c4.( a8) a4( c4) | d2. d4 |


\break

	c4. a8 a4 f4 | g4. f8 g4 a8[ g] |

	f4.( d8) d4( c4) | f2. 


\bar "|." 


}
}

bassMusic = {
 \sacredHarpHeads
  \set shapeNoteStyles = ##(fa #f la fa #f la mi)
   \clef bass
	\numericTimeSignature
   \key f \major
   \autoBeamOff
   \time 4/4
	\relative c {
	\partial 4


	c4 | f4. f8 f4 d4 | c4. c8 c4 f4 | a4. a8 f4 f4 | 

	d2. bes4 | c4. d8 f4 f4 | c4. c8 c4 f4 | 

	bes,4. g8 a4 c4 | <f f,>2.  




	f,4 | c'4.( d8) f2 | c4. c8 c4 g'4 | 

	f2 f2 | d2. bes4 | 

	c4. d8 f4 f4 | c4. c8 c4 f4 | 

	bes,4.( g8) a4( c4) | <f f,>2. 



}
}



\score
{
   <<
           \new Voice = "one" { \sopranoMusic}
           \new Lyrics \lyricsto "one" \stanzaOne


           \new Voice = "two" { \altoMusic}
           \new Lyrics \lyricsto "two" \stanzaTwo
       <<
       >>
           \new Voice = "three" { \tenorMusic}
           \new Lyrics \lyricsto "three" \stanzaOne
           \new Lyrics \lyricsto "three" \stanzaThree

           \new  Voice = "four" { \bassMusic}
           \new Lyrics \lyricsto "four" \stanzaFour

   >>


   \layout {
       indent = 0 \cm
       firstpagenumber =  no

   }
\paper {
  between-system-space = 1.5\cm
  between-system-padding = #1
  ragged-bottom=##f
  ragged-last-bottom=##f
}
}